Showing posts with label Tennis. Show all posts
Showing posts with label Tennis. Show all posts

Wednesday, 27 August 2014

5 Wildly Ego-Boosting Shots In Tennis

I’ve always viewed tennis as one of the most self-gratifying - even mildly arrogant - sports out there.

Much of it comes down to the way the sport is set up – it’s an individual sport, spectators need to remain silent and stifle that hayfever-induced sneeze while you do your thing, your name is emblazoned across a billboard-sized screen (on the pro tour, of course) and there are more than enough opportunities to throw daggers at your opponent with the knowledge that all they can really do is stay on their side of the net and deal with it.

But more than all of these things, tennis on the pro tour and at club level is hugely gratifying because you only really have yourself to thank and to praise for those paranormal shots you’ll no doubt execute over the course of a match. Shots that leave your opponents well and truly incensed. Shots that send you walking back to the service line with just a little bit more swag than you had a few seconds earlier.

These are the most satisfying shots to hit in the sport of tennis:


THE ACE

I have a very reliable service: reliably in the confines of that little block and reliably S-L-O-W. This means that I hit about three aces per year, and all of them take me by as much surprise as my opponent. Still, there is a ton of confidence to be gained by striking an ace.
By hitting it, you’ve expelled barely any energy and bagged yourself a point. Plus, mentally, your opponent has lost a point without having had a sniff at getting into it at all. If every ace was followed by the expletive ‘BOOOM’, I don’t think anyone would argue with it.

In this example, Serena Williams was down 1-2 in the final set of the 2012 Wimbledon final. She then hit four consecutive aces to level the set at 2-2 and after that, never lost another game:



THE RETURN WINNER

In tennis, it’s generally accepted that the server - by virtue of starting the point - has the upper hand. If you put in a good serve, you’re likely to have control of the point from the get-go.
The return winner is therefore extremely demoralizing to the server. A single, slick movement from their opponent has wiped out their alleged upper hand. For the returner, seeing your opponent still in recovery from his or her service motion as your winner zips past them is reason enough to hop and skip your way to the other side of the court to try the same thing all over again (although, if you’re a club player, attempting that magic twice in a row will probably see the second attempt trying to break a hole in the bottom of the net). 

Still, I have vivid memories of return winners I’ve pulled off and that feeling of hitting the sweet spot on the first attempt in the rally is wonderful.

In this example, Novak Djokovic hits what is regarded as one of the best return winners in history - not only was it hit at the perfect angle and at a ferocious pace, but he saved a match point with the shot. A few minutes later, the whole match turned around and he won it:




THE ON-THE-RUN PASSING SHOT

This could be my favourite shot of all.

Because I am completely inadequate at the net, I’m generally very good at defending when opponents attack me by coming to the net themselves, so I’ve developed a good passing shot.
Again, in general the player who has found a moment to come into the net should theoretically have the upper hand and be able to put away a volley. As the defensive player in that situation, you can either lob the ball over your opponent’s head or bludgeon it into an open space and hope that they won’t get there – I prefer the second option, and when I get the execution right and have a clear target to aim for, it’s hard to resist an internal fist pump.

Rafael Nadal hits passing shots like nobody I've ever seen and by so doing, wins points he should almost certainly have lost. Enjoy:



THE DROP VOLLEY

This is another shot that I’ve very rarely hit, except by reflex, but it’s one of the ultimate crowd pleasers in tennis matches everywhere. Why? Well unlike a regular groundstroke, whereby you gradually move the ball around until you get the chance to let rip, you’re generally playing a volley with the intention to aggressively and powerfully send the ball into the open court for a clean winner.
This means that volleys are generally clinical, fast, point-ending shots.

The drop volley almost always takes your opponent by surprise. They’re waiting for something fast and hard, and the last thing they’re expecting is the ball to delicately, nonchalantly drop just over the net – unlike a regular drop shot, drop volleys are also very difficult to read until it’s far too late.

Federer executes these shots beautifully - I just said that Nadal hits the best passing shots. Well, in this point, Federer's delicate drop volley > Nadal's powerful passing shot:



THE WRONG-FOOTING WINNER

Winners in a regular tennis rally are generally the result of the more aggressive opponent sending the weaker opponent scurrying to the left or right, and then powerfully driving a great shot into the open court.
The wrong-footing winner bucks this more popular means of winning points and makes it clear to your opponent and the crowd that you’re not just hitting the ball, but have the clarity of mind to outwit your opponent. So after a few ‘predictable’, side-to-side, left-then-right shots, you hit one in the same direction twice – your opponent has already begun moving in the other direction and then can’t turn back quickly enough. The successful wrong-footing winner generally leaves the defeated player floundering like a baby wildebeest that has just been born. It’s hilarious, and very satisfying.

Instead of a wrong-footing winner, though, take a look at Polish tennis player Agnieszka Radwanska's ridiculous reflex skills when she is wrong-footed by a net cord:


Radwanska is very quiet and not known for emoting on court, but even she had to take a moment and acknowledge her greatness after that shot.


These are just a few of the most satisfying, ego-boosting shots in the sport of tennis. So often, just one or two of these great shots played in close succession (see Djokovic shot above) can change the entire mood and momentum of a match, such is the mental impact of this game on its players.

Fellow tennis players, I’d love to hear about your favourite shots in the game too, so please – do share!  

Monday, 14 July 2014

DAY 13: ON-COURT DIALOGUE (MYSELF, AN ANGEL AND A DEVIL)

The scene: serving, one point from victory against an opponent I’ve never beaten (score: 6-1 5-4 and 40-30)
The protagonists: the angel on my shoulder and the devil on my other
The time: yesterday evening



ANGEL: Ok Karl, just chill. All you need to do is win one more point to close this guy out.

DEVIL: Well, that means nothing because the last time you played him, you were two points away and still lost.

ANGEL: Keep quiet, devil. Karl, just make sure you hit the ball with the same pace you’ve been for the whole match. Don’t slow it down. That’s how you got to this point.

DEVIL: Yeah, hit hard and hit out by like 10 metres.

KARL: Exactly, if I try to hit hard now with this nervous, deadweight arm, the ball is going to fly. That drop shot I just hit though… how the hell did I pull that off?

ANGEL: Because you’re actually good at this game, Karl! Now remember, he won’t make a mistake if you don’t push him to make one.

DEVIL: The other guy is probably not going to make another mistake in this entire match. He always starts playing better when he’s close to losing. Oh well, there’s always next time.

KARL: Yeah, if we go to a third set, I am screwed.

DEVIL: Glad we agree. It would be your fifth consecutive loss against him.

ANGEL: Guys, how can you be so negative when we’re potentially one more shot from a win?

DEVIL: One more shot? That means an ace. Have you ever seen Karl hit an ace?

KARL / ANGEL: No.

DEVIL: Precisely.

KARL: Ok, here we go…

ANGEL: First serve in! Stay focused!

DEVIL: Hmm… an actual rally on match point without a mistake after the first three shots. You can’t keep this up.

KARL: Why am I not breathing? I can’t breathe. I need him to make a mistake NOW.

DEVIL: It’s the nerves. They’re consuming you. The more shots that are played in this point, the bigger it becomes. If you lose this, it’s deuce. Then you’ll be too tired to play a good point and he will run away with this set.

ANGEL: Just HIT! And stop hitting straight down the middle!

DEVIL: Hahahaha – here comes that drop shot that you always get to but always screw up when you get there.

KARL: Shit. These drop shots are killing me… but I’m getting there, I’m getting there…

ANGEL: Backhand! Powerfully! Down the line!

KARL: YES! DOWN THE LINE! THAT’S WHERE I’M GOING!


DEVIL: HA HA HA HA HA HA HA. What did I tell you?

ANGEL: It’s okay Karl, you tried. You’re still only two points away.

DEVIL: I’ve never seen a backhand hit that far out of the court in my life. Never. Did it hit the fence at the back?

KARL: That was completely horrible.

ANGEL: It wasn’t. You won the first set 6-1 and are leading now.

DEVIL: How far away does that first set feel now? I can barely remember it. In fact, I can’t at all. #fluke


About 6 minutes later…


ANGEL: YOU DID IT!

KARL: I DID IT!

ANGEL: Sweetest win ever?

KARL: Definitely, by a long, long shot.

ANGEL: This is why you play this sport, right? For these epic victories that you really need to work for? Even if it's just club tennis and there aren't thousands of spectators? It's still the place that's made you happiest over the past eight years that you've been coming here, right?

KARL: Absolutely.

DEVIL:



Final score: 6-1 7-5

Tuesday, 8 July 2014

Day 7: Inspired By Art (and the REAL beautiful game)

Apparently first used by Brazilian footballer Pelé, the origins of the adage “the beautiful game” are much debated. What I’d like to seriously debate is the word “beautiful” to describe a game rife with fouls, red cards, animalistic fans, drama queens, coach temper tantrums and fractured vertebrae.
I strongly believe tennis to be the most beautiful sport in the world, and there are a bunch of reasons why. I’ll try to narrow it down to just a few:


IT’S AN INDIVIDUAL SPORT

Where’s the beauty in that, you may wonder? Well, unlike a big group of rugby players, cricket players or soccer players on a field, tennis narrows it down to just two.
In general, we marry one husband or wife. We have just one or two extremely close friends. Or, we remember just a few teachers that truly impacted our young lives at school.

That’s how the human mind operates and attains satisfaction. It needs time and small numbers to absorb detail. When honed in on one person, we’re able to appreciate the nuances that separate them from someone else. We’re able to appreciate – or even absolutely loathe – their annoying habits.

And so it follows that tennis allows fans to develop near-relationships and connections with their favourite players, because we spend so much time watching them very closely. I know, for example, that Rafael Nadal’s pre-serve routine involves wiping the hair on either side of his face just one time. I know that Serena Williams always changes ends on opposite sides to where the umpire sits. And I know that top 10 player Tomas Berdych has all the talent in the world, but that his ‘gentle giant’ nature keeps just a little too much frustration at bay – the kind of frustration that the likes of Djokovic, Serena and others use to will themselves to tough victories.

When Federer tears up, so do I. When an injured Victoria Azarenka misses an easy shot because she is rusty after a lengthy injury, I feel her anguish.

These connections and observations with individual personalities set tennis apart from virtually all other sports.

SAYING IT AS IT AS: A tweet by journalist Ben Rothenberg after Roger Federer's recent Wimbledon finals loss.


THE STROKES

Unless you’ve picked up a tennis racquet and attained some kind of ability to guide the ball over the net (instead of into the next court), you’ll never know what level of skill is involved in playing the game. As an average club player, we often have a few good shots but a few glaring weaknesses – for me, those are an inability to volley at the net or to hit a powerful serve.
But for the elite, they can’t get by without a forehand, backhand, volley, drop shot, serve and a lob. If any of these shots are entirely absent from their skill set, they probably won’t make the top 20.

Which is why a brilliantly produced stroke is a thing of beauty. Even when he is losing, Roger Federer is probably the most beautiful player to watch, with an effortlessness and a distinctive artistry to his game.
Serena Williams, when serving at 100%, strikes you with her perfectly balanced technique, something that is sadly lacking in the women’s game. Nadal has a ferocious forehand, Justine Henin had a gorgeous one-handed backhand and the retired Pete Sampras probably never missed an overhead smash in his life.


If the tennis racquet were a paint brush, Nadal’s painting would probably be filled with harsh, hard colours and an abstract effect. Federer’s would be cleaner, lighter, subtler and more attractive. But both would be able to bag a spot in the world’s finest art galleries.


THE MOVEMENT

The fittest of tennis players make watching the game a great experience. Tennis coaches always stress the importance of footwork in this sport, where small, precise steps are encouraged over long, ungainly strides.
On clay, being able to slide into a shot is essential, and some players have incredible anticipation, being able to read their opponents’ patterns of play and react to them timeously.
At their peak, Venus and Serena were simply way faster than all the other girls around them. Kim Clijsters, Caroline Wozniacki and Jelena Jankovic are other great movers. On the men’s side, the top 2 – Djokovic and Nadal – have taken athleticism in the sport to new heights.

Beyond speed and strength, it’s the added element of handling your tennis racquet when on the move that makes this sport really special to watch. Your body truly needs to be lean, balanced and co-ordinated to make it at the top of this sport.


THE HERITAGE/TRADITIONS/MAJESTY OF IT ALL

Dubbed one of the ‘gentlemen sports’, tennis is known for attracting kings, queens and other authoritative figures, who appreciate that despite the intense battles happening down on court, the game can be enjoyed without fear of being trampled upon or getting your eardrums blown by vuvuzelas.
Wimbledon and its grass courts is at the centre of many tennis traditions, and the respect meted out to ball boys, umpires and everyone involved makes for a respectful, reverent atmosphere to post-match ceremonies.


THE COURTS/VENUES

Be it Rod Laver Arena in Australia, Centre Court at Wimbledon, Arthe Ashe Stadium at Flushing Meadows or Court Phillipe Chatrier at the French Open, each offers a very different experience and vibe to the next, and because of differences in surface, a different style of match on the courts too.
Because tennis courts are smaller than cricket/rugby/soccer fields, crowd capacities are fewer and there is a resulting sense of greater intimacy with the players on court.



 SERENE: Wimbledon's stately centre court


So yes, I believe tennis is the most beautiful sport in the world. I also think the game is as strategic and physical as it is artistic, with an incredibly wide range of different styles, skills and executions that can be called upon to achieve the same result - the victory. All hail the real beautiful game!


Saturday, 8 March 2014

My Tough Tennis Slump


Since coming back from an extended knee injury in January, I’ve been in the worst tennis slump since I started playing regularly seven years ago.

Granted, I was never an elite player. I never consistently bulldozed my way through opponents, but I was always very consistent and made very few errors, which means – at the very least – I enjoyably annoyed every guy I played at some point in the match.

But lately, even though I have nursed my way back to a good place physically, I can’t keep the ball in play. Any attempt to be aggressive, and I miss – by spectacular margins. My backhand, a shot which I never lost confidence in, is in tatters. In tennis, when you’ve lost confidence in one of your major strokes, you tend to overcompensate on your other wing (for me, the forehand) which in turn produces more errors on that side as well.

And then, once you’ve had a few bad losses, you become acutely aware of your failings and inability to produce the game you are capable of. And then, it becomes almost entirely mental as you are plagued by hazy memories of specific shots that used to land exactly where you intended.
I’ve sworn more on court this year than, well, anywhere else I’ve ever been. I’ve almost broken my racquet on several occasions – but a replacement costs R1600, which serves as my only motivation to not moer the one I have right now.

But through all of this, I still wake up on every match day thinking “today is the day”. Today is the day everything comes together. My backhand will be back and I will be calm, even when I’m behind.
It’s this fascinating tug-of-war that goes on in your head that keeps me wanting to play this sport, even when I outright suck. I have been through - as everyone else has - my fair share of mentally draining scenarios at work, at school and at home.

But the mental battles on a tennis court are probably more perplexing than any of the above. It just doesn’t compute that one day, your play is effortless and another, it’s gone to ashes. It’s a mystery you must battle through by your lonesome. Figuring out that mystery is what I believe keeps tennis players coming back for more, even if what they are coming back to is more torture…

Nevertheless, let’s hope that putting my struggles into a few words will help to bring my game back from wherever it has been hiding.


Today, I will try to win my first league match of the season against Meadowridge. Wish me luck!